
It was sorta kinda twenty years ago.

It was sorta kinda twenty years ago.
These days, Billy Joel is generally being brushed off as an 80′s sellout wanker (here’s looking at you, Uptown Girl), but I really think The Nylon Curtain features some terrific songs: there’s Allentown, Pressure, Goodnight Saigon — and then there’s Laura.
Okay, so I’m admittedly somewhat obsessed with this song (previously) and its intricate chord changes in particular. Sat myself down with my guitar for half an hour in an effort to figure out the chords, as the Google had failed me dismally. Here’s what I came up with — mainly for my own reference, so hold your horses…
Intro:
G- D# - C
Main theme (as in Laura Calls me / In the middle of the night):
G - Em - A7 - C7
First bridge (as in I’m on her side / Why does she push the poison on me?):
F7 - Em /* @TODO: that 'oh wow wow' */
Second bridge (as in Here I am / Feeling like a fucking fool / Do I react…):
A# - C7 - Cm - A#
Now these chord changes may well owe their exotic feel due to my picking G as the root chord but still: cleverly done Mr Joel, most cleverly done…
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Billy Joel’s point of view looks in from the outside, anger toward his “Nemesis” being the main driving force, whereas Elliott Smith tends to empathize with his “Nemesis”, realizing he’s been an accomplice all the way. It’s an interesting juxta position — while both songs are obvious witnesses of a jarring issue needing to be to cleared out.
Billy Joel – Laura
Elliott Smith – Baby Britain
Jimmy Carl Black, original Mother of Invention, was diagnosed with lung cancer in August 2008. A benefit concert is to be held on Sunday 9 November 2008. Tickets on sale here.

I realize the timing for this entry is as odd as it gets, but then again: life has proven itself to be stranger than fiction on most every occasion.
Just in case you’re wondering who the hell Jimmy Carl Black is: well, here he is playing the drums in a fantastic version of Frank Zappa’s King Kong: